Beyond the one-line description of Supercell being “a fast-moving thriller set against tornado chasing on the Great Plains,” what the heck is the novel about?

Here’s the “elevator pitch” for it (an “elevator pitch” means the author’s got only the duration of an elevator ride to pitch his/her book to an agent or publisher):

Chuck Rittenburg, a former professional storm chaser, has lost it all: his business, his home, his family. But he’s offered a chance at redemption—-and a million bucks—-by a Hollywood film company if he can lead its cinematographers to a violent EF-4 or -5 tornado.


Some of my friends, non-writers, knowing I’d just returned from the Southeastern Writers Association Workshop, asked me what goes on at such conferences.

First, I must explain, there are different types of conferences. Some, such as the one sponsored by the Southeastern Writers, focus on teaching the craftsmanship of writing. Many, like those held by the Atlanta Writers Club, are designed to put authors in touch with literary agents and publishers. Still others, usually bigger gatherings—-the Willamette Writers Conference, for instance—-are a combination of both, sometimes with film agents thrown into the mix.


To me, it was akin to getting a “Dear John” letter from an old girl friend long after I’d married someone else.

But here it came, a rejection letter (email) from a literary agent for Eyewall over a year after the novel had been published and more than two years since I’d contacted—-and long forgotten about—-the agent.