Beyond the one-line description of Supercell being “a fast-moving thriller set against tornado chasing on the Great Plains,” what the heck is the novel about?

Here’s the “elevator pitch” for it (an “elevator pitch” means the author’s got only the duration of an elevator ride to pitch his/her book to an agent or publisher):

Chuck Rittenburg, a former professional storm chaser, has lost it all: his business, his home, his family. But he’s offered a chance at redemption—-and a million bucks—-by a Hollywood film company if he can lead its cinematographers to a violent EF-4 or -5 tornado.


Some of my friends, non-writers, knowing I’d just returned from the Southeastern Writers Association Workshop, asked me what goes on at such conferences.

First, I must explain, there are different types of conferences. Some, such as the one sponsored by the Southeastern Writers, focus on teaching the craftsmanship of writing. Many, like those held by the Atlanta Writers Club, are designed to put authors in touch with literary agents and publishers. Still others, usually bigger gatherings—-the Willamette Writers Conference, for instance—-are a combination of both, sometimes with film agents thrown into the mix.


Book Publishing is Broken.

That was the title of a weekly “marketing tip” I received recently via email.

The essence of the tip, it turned out, wasn’t so much that publishing is broken as that its current business model is broken and a new one is in the throes of being born. For example, with rare exception, the days of big advances (up front money) are over. And–this is rather intimidating for many of us–publishers are beginning to look for authors skilled with social media.